© Katie Morgan If you wish to reproduce any notes or articles (or part of) from this website, please contact me before doing so. To commission new articles or programme notes, please contact katie @ katiemorgan. com (no spaces) It is common for the piano concertos composed by the “Prince of Concerto writers” - Wolfgang Amadeus Mozart - to be metaphorically described as “voiceless dramas”, and as Simon P. Keefe has observed, Christoph Koch, among many theorists, has situated

© Katie Morgan If you wish to reproduce any notes or articles (or part of) from this website, please contact me before doing so. To commission new articles or programme notes, please contact katie @ katiemorgan. com (no spaces) It could certainly be declared that the Artusi-Monteverdi controversy reveals a prolonged but fascinating investigation. As Claude Palisca has pronounced, Artusi focused the attention on one of the deepest crises in musical composition and consequentl